Its main conceit, while lacking any real sense of originality, paves the way for scenes that celebrate family values. The overall effect is pleasant at best, and at worst, more than just a tad patronizing. But more than that, you will enable us to continue telling more stories. . In 2013, Garcia-Molina directed Four Sisters and a Wedding , which also featured siblings whose sudden reunion serves as the impetus for them to air repressed grievances.
Because of the news that hit the family, the Bonifacio siblings reunite and help each other in order to spend their father's remaining days with him. Synopsis Seven Sundays is a family dramedy about four estranged adult siblings — Allan, Bryan, Cha and Dex — who are forced by their dying father, Manuel, to hold their Sunday family get-togethers again for the remaining two months of his life. Cathy Garcia-Molina brings together a big cast for the family-oriented movie. Also spared from being tied to a romantic subplot,, who plays the more successful second son, is able to deliver a performance that pulsates with affecting earnestness. You can help Wikipedia by. Until one day, he called and revealed to his children, Allan Aga Muhlach , Bryan Dingdong Dantes , Cha Cristine Reyes and Dex Enrique Gil , that he was diagnosed with cancer and will soon be dying, claiming that he only has seven weeks to live. While the sentiment of the film is universal, its approach is clearly culturally specific, dwelling not on broad issues and conflicts but simmering attitudes that a social climate of surface-level nicety to the detriment of sincerity affords.
Its plot is very predictable. In fact, it feels like a rehash with its persistent allegiance to formula. Can they survive the coming 7 Sundays and find family in each other again? However, to continue exploring the entertainment landscape, we need your support. Outdo its predecessors It would have been all good if Seven Sundays only had the ambition to outdo its predecessors, or at the very least subvert them. In the same year, Laurice Guillen directed Tanging Yaman which is also about a reunion that has siblings squabbling over their inheritance while the family matriarch is wasting away.
Partnered most of the time by reliable Ketchup Eusebio, who plays the nephew who has supplanted his own children as his trusted companion, Valdez is an endearing and enduring presence amidst the film flip-flopping between its comedic and dramatic moments. Serious work goes into our brand of cultural journalism. Even its dramatic climax, where each and every character suddenly bursts under the weight of their suppressed emotions, no longer comes as a surprise because each and every one of the films that came before it also featured the same explosive highlight. Now forced to spend time together, comedy and chaos ensue as old family and sibling issues resurface while they all deal with their own problems. It lacks energy and there are portions in the film that it just plods along under the weight of exposition and heavy-handed dialogue.
. . . . . .
. . . . . .
. . . . . . .
. . . . . .